#Turbo fast episodes 5 movie#
When the movie Turbo finally hit theaters last July, it opened third against the horror flick The Conjuring and the animated blockbuster Despicable Me 2, collecting $21.3 million. She heavily weighed in on who she thought could bring these voices to life. “Andrea Romano is our casting and voice director. “It’s a combination of people we know and have worked with,” says Prynoski. Ken Jeong reprises his role as Kim Ly from the film. For the series, Reid Scott takes over as Turbo, among voiceover veterans Eric Bauza, John Eric Bentley, Mike Bell, Grey DeLisle and Mark Hamill. The movie Turbo boasted a cast that included Ryan Reynolds as the lead character, as well as Paul Giamatti and Samuel L. “We were like, ‘Okay, well, we kind of see where the movie is headed, so we’ll respect that, but we’ll kind of do our own thing.” We were inspired by the movie, but we weren’t held to match the movie.” Prynoski adds that viewers should expect the show to be less about racing and more about stunts and recurring villains, each story lasting about 11 minutes.
“That was another reason why we had to develop our own style – the movie wasn’t finished yet,” says Prynoski. He and his creative team were shown a work-in-progress version of the feature, with numerous storyboard panels subbing for unfinished animation. Production for Turbo: F.A.S.T. began in the summer of 2012, which presented a challenge for Prynoski since the movie had yet to be completed. “I was like, ‘Yeah, this is fun! Let’s do it!'” With the studio’s new game plan for Turbo: F.A.S.T., Prynoski was directing its first episodes when he received the offer to be the show’s EP. “As we started working on the special, they were like, ‘Well, what if it were a series?'” he recalls. Prynoski signed on to helm the Turbo special, unaware he would soon take on a considerably larger role.
#Turbo fast episodes 5 series#
While the movie Turbo was computer animated, its series would utilize Flash animation. Gal had been impressed by their racing visuals for the Disney XD series Motorcity and desired a similarly engaging style for the Turbo spin-off. Peter Gal, DreamWorks’ head of television development, contacted Prynoski and his wife Shannon to inquire if their studio, Titmouse, Inc., would be interested in animating the special. Prynoski’s involvement with Turbo: F.A.S.T. extends back to when DreamWorks was eyeing the show as a standalone special rather than a series. It allows us to move faster, and we can make the shows, hopefully, the way we want them.” “But we don’t get notes from Netflix, which is cool. “Typically, if you are working on a show like this, you might get two sets of notes: one from DreamWorks and one from the network,” says executive producer Chris Prynoski. Unlike those cases, however, the Netflix deal allows DreamWorks to maintain creative control of its series.
#Turbo fast episodes 5 how to#
DreamWorks is no stranger to turning its popular movies into TV series, with features Madagascar and Kung Fu Panda receiving spin-offs on Nickelodeon and How to Train Your Dragon getting its own show on Cartoon Network. Turbo: F.A.S.T. is one of the first projects to arrive out of a deal between DreamWorks and Netflix that covers 300 hours of programming throughout five years. Nonetheless, the studio is placing its bets on the tiny titular character to deliver solid results when Turbo: F.A.S.T. premieres this week.
After racing into theaters last July, Turbo is ready to headline DreamWorks’ first original series for Netflix, Turbo: F.A.S.T. Some might call it ironic that DreamWorks’ initial project for a company priding itself on instant gratification for a fast-paced society involves a snail.
0 kommentar(er)
